Patricia Resnick has worked on an impressive array of projects throughout her career. Here’s what she has to say about the craft and the industry.Patricia Resnick had more than a cup of ambition when she started writing films with Robert Altman, working with Dolly Parton on 9 to 5, and tackling the mad landscape of television. We sat down with Resnick for a candid discussion about storytelling, her creative and personal journeys, and dancing with the First Lady. Yes, dancing with the First Lady. We’ll get to that.Image courtesy of Patrica Resnick.PremiumBeat: You’ve had an amazing career so far, which is no small feat for a woman starting out in the late ’70s. You’ve worked with Robert Altman on three films: 3 Women, A Wedding, and Quintet. How did that relationship develop, and what was the creative process like for you?Patricia Resnick: Atman had a number of strong women around him. For example, Scott Bushnell (a woman). She was very important to him. Nashville had a female screenwriter — Joan Tewkesbury. I never saw him have an issue with gender.I met him when I was in college at USC as a cinema major, which meant I was in my car a lot. When I was driving through the streets whenever I saw something that was filming, I would stop and park and ask what it was. I was from Miami Beach, and we didn’t have productions there, so it was all so fascinating.One day, it was an Altman film, and I happened to be writing a paper on him for film class. So I waited for him to come out of his office and introduced myself and asked him if I could interview him. He said yes, and when I had finished my paper, I dropped it off. He read it, loved it, and wanted me to work for him.Image via Buffalo Bill and the Indians (United Artists).The problem was he didn’t have the money to pay me. I was able to get a 90-day grant to be the assistant to the publicist for Buffalo Bill and the Indians. I tried to make myself indispensable. I knew I had 90 days to make myself essential before the grant money was over. It worked. He kept me on, and I ended up writing a treatment for him for 3 Women.He didn’t see me as a writer at first. During the first two years I worked with him, I did other projects. I wrote a spec script and ended up writing two skits for Lily Tomlin’s Broadway show, Appearing Nitely. Altman came to see it and finally said, “The kid can write.” Then I wrote on A Wedding for him. I was 24.image via The Player (Warner Bros).PB: You also played yourself in The Player. How did that happen?PR: That was way later, in 1992! He was doing the opening shot, and his idea was to make it all people who had worked with him. He put Buck Henry, Alan Rudolph, Joan Tewkebury, and me together and told Joan and me “I want you to do your own pitch.” She didn’t want to do it, so I put together a silly version of something I had vaguely in my mind already. We shot it all in half a day.I had a bit of nostalgia recently with that scene. The studio where we are shooting the Netflix series Tales of the City is the same place where we shot The Player. I kept feeling something was familiar and then recently re-watched The Player with friends, and it all came back.Image via 9 to 5 (Twentieth Century Fox).PB: It’s so hard not to geek out getting into your next project after the Altman credits: 9 to 5. In 1980 when you wrote that screenplay, it was a pretty radical comedy. Did you have any notion that it would be such an important film for women and still be relevant enough today to be remade?PR: I knew opening day. Not at the premiere, but opening day in theaters. I remember seeing the line for it and then turning the corner and seeing that the line went all the way down the block. Then hearing the audience laughing and responding. It was thrilling.We are opening the stage play musical on the West End in London on January 28. When the play premiered on Broadway in 2009, we took a pretty hard hit from critics — mostly male critics. The feeling at the time was that the message of the play was dated because the male journalists were certain the sexism problem had been solved. Considering the current climate . . .PB: Yes. And of course you have your secret weapon again: Dolly Parton. I’m amazed that after all these years, she continues to give such love to 9 to 5! Any thoughts why?PR: It was her first movie role ever. It really put her on the map in terms of being an actress. I also think the three women did and do like each other, and it was a happy time. We all saw the film go from a comedy that did well in the theater to something more iconic.In terms of the musical stage version, I don’t know if writing a musical had been a dream of hers, but Dolly always loves new challenges, and she loves to create, and she loves to write songs.Whenever she is in town and doing a show, I try to go, and as soon as the first chords of 9 to 5 begin, the crowd goes nuts. It’s really amazing to witness.Image via Mad Men (Lionsgate Television).PB: Recently, you’ve concentrated more on TV. You were a consulting producer on Mad Men and have written TV movies as well as episodes for other series. Why did you make the move? Are we doing the most interesting work on television these days?PR: Basically, yeah. In the mid-’90s, feature work was drying up for me. Because the kind of movies that I wrote weren’t really being made any more. Comic book movies were happening, and it’s not what I write.I had young kids, and I didn’t want to staff with TV because that would have been a lot of hours away from them, so I wrote TV movies and the animated show, Olivia. I worked on plays and pilots. When the kids were in high school and off at college, at that point, it was the second golden age of television. I thought I could go staff because eleventh graders don’t want to see you much anyway.I was such a huge fan of Mad Men, and it was so great to get my first staff job on that show. It was an incredible room of smart people dedicated to doing their best work.Image via Mad Men (Lionsgate Television).PB: First job in film with Robert Altman. First job on staff with Matt Weiner and Mad Men. Not too shabby. What’s the writer’s room like for a character-driven show like Mad Men?PR: It’s actually more plot-driven than you would think. I came in for the last season of Mad Men. When you are in the seventh season of anything, characters are set, and the main question becomes what experience do we want to leave everyone? Matt came in and talked to us about emotionally the feeling that he wanted and about a book he had read over the summer, Siddhartha (by Herman Hesse.) It doesn’t have any correlation to our plot, but the story deals with the spiritual journey of self-discovery, which is very much Don’s path.Tales of the City set. (Image courtesy of Patricia Resnick.)PB: Do you have a consistent way of working when you start a screenplay or teleplay? Do you write a treatment or outline, do character bios before you write, or is it a more freeform process?PR: Ideas. As a general rule, something will pop into my head, but mostly I’m not that lucky. I will have to make time to think about what’s going on in the world or in my life and see if that is fertile ground to bring it to life. To have the germ of the idea for something that is pitchable is the hardest part. Developing it is the hardest part — and having to abandon some things. Sometimes it’s a good idea, but I’m not the best writer for it. A spy thriller, for example, I might not pursue. I spend a lot of time in cars, so I ponder while driving.Every year what you need to sell something is more and more in depth. In the ’80s I once sold a very brief pitch. Gave him two lines and sold it on the phone. That doesn’t happen anymore. So now, they want things unbelievably worked out, and as far as TV, they really want all the characters, the first season, where you plan to end up. Visual aids. Look books — to people actually doing trailers for things that have not been shot. Big boards and Power Points — you really have to have things nailed down and worked out.I will get random ideas. Oh this is a good character or scene. I’ll just make notes on my phone (because I’m usually out when they come to me) and then when I feel ready, I sit down and put it together into something coherent.Once I have it, I’ll go to my agents and say “I’m kinda working on this idea,” and either they will respond or not. If it seems viable, then we start the process of trying to put the pieces together. First thing is to get a producer, and often you work with them on the pitch, and by the time you pitch to a studio and studio to network, it all evolves. It’s a very long process and often a lot of work for no money. Most don’t get sold and most don’t get made.PB: What’s the most thrilling part for you — writing, filming, or watching?PR: Writing remains a hard thing to do, and when you’re having a good day and you are really in the zone, that is a great feeling, and that is the only moment that is completely pure — no one’s touched it, changed it. It’s purely yours.In terms of watching it filmed, totally depends. In features, unless you are writer/director, most directors do not want you around. It’s weird — you are visitor, but it was yours.In TV, often the creator is the show runner. So even as a TV staff writer, you’re wanted on set. Some writers like being on set; some loathe it. As far as realized. Depends on how I feel about it. It often isn’t how you think it will be. I’ve had awful creative experiences that produced good results and [for] others loved the process and the film did not do well.Image courtesy Patricia Resnick.PB: You’ve been very open in the past regarding your personal life. You are very out, you gave up drinking, raised two children on your own. How have the challenges in your personal life affected your art — for good or bad?PR: I think I was really lucky because I stopped drinking at 32. I didn’t have a really low bottom, and I could see what was coming, and I was ambitious. I could never write drunk. So I would write sober during the day and drink at night. It was getting in the way of life and happiness. And I didn’t really start drinking until my mid-twenties. So it was a short seven-year period. I am so grateful social media didn’t exist then. It would have absolutely ruined my career.My sexuality? I think my sexuality influenced my art as it gave me somewhat of an outsider perspective. A lot of wonderful artistic creations stem from a feeling like I don’t fit in. Most people feel like they didn’t fit in for many reasons, and that informed my thought process and how I thought about the world and how I saw the world.In terms of being a female creative, I wasn’t raised to think any opportunity was beyond me, but knowing how incredibly sexist this business is, it probably kept things from me. But if you don’t get a job, you don’t know why. Is it because I am a woman or am I too old? You just don’t know.Raising kids affected my career because I was a single parent, and I didn’t want to take a job that was going to keep me gone. I wanted to direct, and it was hard with my lifestyle. I had the chance to direct and write a short for Showtime, and I just couldn’t leave my kids. I wanted to be able to take them to school and do all that stuff, and I for sure passed on some great opportunities in my peakish years. I made some decisions of what I would do based on them. I don’t regret but it, but sometimes I look at my bank account . . . but it was the right decision. It also gave me new material. Now that they are in their twenties, it keeps me in touch with youth in a way that my friends that don’t have kids are quite unaware of. I’ve been lucky that I’ve been staffing. The vast majority of the writers I work with are in their thirties, so I have a lot of close friends that are young, and I love learning new things and new worlds from them.PB: Finally, I have to ask about Nancy Reagan. You asked her to dance at a wedding. She said yes. How did that happen? And please tell us there is a story in the works about your moxie!PR: I was at a big Hollywood wedding. It was July of 1986. After that happened, I thought I shouldn’t drink out of the house and then later, I got sober in April of ’86. It was Lucy Fisher and Doug Wick’s wedding. They own a very successful production company: Red Wagon. Doug’s father worked for Reagan, so he invited Nancy.I was sitting at a table with Sue Mengers, (very significant talent agent), and Nancy Reagan was dancing with the groom. Sue said “I’ll pay five hundred dollars to anyone who cuts in on the First Lady,” and it sounded good to me. That was a lot of money. So I just went in and cut in, and she said yes.Chances are, it won’t go into a script, but I am toying with the idea of some version of a memoir, and the dancing with Nancy story? That would be the crown jewel.Cover image via Mad Men.Looking for more industry interviews? Check these out.Interview: Composer Federico Jusid Makes Some Noise in HollywoodInterview: Tips for Crowdfunding Over $100,000 for Your Documentary ProjectsAustin Film Festival Interview: Insights for Turning Your Script into a 90-Second Pitch5 Reasons Why You Should Shoot Your Own Digital Web SeriesInterview: Tracy Andreen on the Romance of Writing for Hallmark
Members of the Philippine fencing team display their respective medals from the 29th Southeast Asian Games. (L to R) Brennan Wayne Louie (gold), Nathaniel Perez (silver) in mens individual foil; Hanniel Abella (silver) and Harlene Raguin (bronze) in women’s individual epee. CONTRIBUTED PHOTO/SEA GAMES POOLFil-American Louie Wayne Brennan took the men’s individual foil gold medal over compatriot Nathaniel Perez in a dominant show for the Philippines Tuesday in the Southeast Asian Games fencing.Finally getting his slot in the individual category after playing in team events on his freshman year with the national team, Brennan bested Perez, 15-14, in the final.ADVERTISEMENT Hotel says PH coach apologized for ‘kikiam for breakfast’ claim Trending Articles PLAY LIST 00:50Trending Articles02:49World-class track facilities installed at NCC for SEA Games03:07PH billiards team upbeat about gold medal chances in SEA Games05:25PH boxing team determined to deliver gold medals for PH03:04Filipino athletes share their expectations for 2019 SEA Games00:45Onyok Velasco see bright future for PH boxing in Olympics02:25PH women’s volleyball team motivated to deliver in front of hometown crowd01:27Filipino athletes get grand send-off ahead of SEA Games00:36Manny Pacquiao part of 2019 SEA Games opening ceremony PH archery team wraps up SEA Games campaign sans gold Trump signs bills in support of Hong Kong protesters LATEST STORIES Ethel Booba on hotel’s clarification that ‘kikiam’ is ‘chicken sausage’: ‘Kung di pa pansinin, baka isipin nila ok lang’ Pagasa: Storm intensifies as it nears PAR View comments NATO’s aging eye in the sky to get a last overhaul It was an all-Filipino final as Brennan ousted Thai Sopanut Mayakarn in the semifinal, while Perez dispatched Jet Ng Shang Fei of Singapore.Brennan, who owns a fencing club back in Los Angeles, replaced former champion Emerson Sugui in the PH team.FEATURED STORIESSPORTSSEA Games: Biñan football stadium stands out in preparedness, completionSPORTSPrivate companies step in to help SEA Games hostingSPORTSBoxers Pacquiao, Petecio torchbearers for SEA Games openingThe Philippine women’s epee team also had an impressive showing, turning in a silver and a bronze.Hanniel Abella bested teammae Harlene Raguin in the semis. But she lost in the final against Nguyen Thi Nhu Hoa of Vietnam. Don’t miss out on the latest news and information. Lacson: SEA Games fund put in foundation like ‘Napoles case’ MOST READ Raguin took the bronze.Sports Related Videospowered by AdSparcRead Next Robredo should’ve resigned as drug czar after lack of trust issue – Panelo Celebrity chef Gary Rhodes dies at 59 with wife by his side
Serena Williams became only the second woman to complete a career Golden Slam when she won her first singles gold medal Saturday by beating Maria Sharapova 6-0, 6-1 at the London Olympics.The victory completed a remarkable run of domination by the No. 4-seeded Williams, who lost only 17 games in her six matches. She went 13-0 this summer at the All England Club, where she won her fifth Wimbledon title a month ago.The career Golden Slam was first achieved by Steffi Graf, who did it when she won the Olympics in 1988 after winning all four major titles. Williams can add the gold medal to her 14 Grand Slam singles championships, the most of any active woman.
After an absolutely scorching first three rounds of the 2015 Masters, 21-year-old Jordan Spieth shot a 2-under-par 70 Sunday to finish off his first major championship victory. Giving the performance even more historical import, Spieth’s 72-hole score of 270 — 18 strokes under par — tied Tiger Woods’s 1997 record for the lowest score in the tournament’s long history. It was undoubtedly one of the most dominant performances ever seen at Augusta National.But was it the most dominant? Relative to the field, probably not, because not all 72-hole scores are created equal.When Woods shot his 270, the average player to make the cut in the Masters shot a 3-over-par 291, which ranks 31st-lowest out of the 79 Masters staged since the tournament began in 1934. Woods’s score, then, was 21 strokes better than the field average for players who completed all 72 holes, the fourth-best mark relative to the field in Masters history. (No. 1 was Cary Middlecoff, whose 279 was 24.8 strokes better than average in 1955, two years before the tournament instituted a 36-hole cut.)In 2015, the field averaged a 72-hole score of 285.6, 2.4 strokes better than par — the third-lowest average in tournament history — meaning the typical player in this year’s Masters took 5.4 fewer strokes than in Woods’s record-setting year. In turn, Spieth’s 270 was only 15.6 strokes better than the field average, a mark that ranks just 42nd among 72-hole scores since 1934.In fairness to Spieth, 37 of the 41 players ahead of him on that list put up their scores before the Masters started cutting the field down after 36 holes in 1957. Before that, scores such as Charles Kunkle’s 340 in 1956 polluted the overall field averages, making top-of-the-leaderboard performances look far better by comparison. But even if we limit our sample of tournaments to 1957 and later, Spieth’s -15.6 mark relative to the field ranks fifth-best, trailing not only Woods’s in 1997, but also Masters wins by Raymond Floyd, Jack Nicklaus and Phil Mickelson:The rest of the field was so good this year that a record four players shot 11-under-par or better, and 58 percent of all players who made the cut broke par. Even without including Spieth’s 270, the rest of the field averaged a score of 285.9, the third-lowest 72-hole average for non-winners since 1957:This doesn’t take much shine off Spieth’s week at Augusta, of course. He’s only 21, the same age as Woods in 1997; Nicklaus was 25, Floyd was 33 and Mickelson was 39 when they posted superior performances relative to opponents playing the same course under the same conditions. But as long as par isn’t what the typical player shoots, the field average should always be taken into account when comparing scores across tournaments and eras — and in Spieth’s case, that slightly lowers the historical significance of his 2015 performance.
Larry Johnson watches the team practice before the Blue and White scrimmage April 20 at Beaver Stadium.Credit: Courtesy of Daily CollegianLarry Johnson is officially an Ohio State Buckeye.OSU made the announcement Wednesday, naming Johnson the next assistant head coach and defensive line coach for the Buckeyes, according to a press release.“I am very pleased that Larry Johnson is an Ohio State Buckeye,” OSU coach Urban Meyer said in the release. “I have great respect for him as a family man, as a coach and mentor of young men and as a recruiter. He is an outstanding addition to our coaching staff.”Johnson spent the last 18 years of his career at Penn State, including overseeing the entire defensive line for the last 14 years. He also spent 20 years coaching high school football in Maryland and Virginia, according to the release.“In just a few hours I can tell that Ohio State cares about football,” Johnson said in the release. “There is a winning tradition that is important here. They care about academics and they care about players, and I like the way coach Urban Meyer approaches things. He’s a great teacher. He is very organized and this is what I was looking for.”Johnson is set to replace former Buckeye defensive line coach Mike Vrabel, who announced via Twitter Jan. 9 he was leaving OSU to take a job with the Houston Texans of the NFL. Vrabel’s jump to the NFL comes after Houston announced the hiring of former Penn State head coach Bill O’Brien Jan. 3.While coaching at Penn State, six of Johnson’s defensive linemen were first-round NFL Draft selections, most recently Jared Odrick in 2010. Johnson also coached seven first-team All-Americans on the defensive line in his time at State College, Pa., including Courtney Brown, who was picked No. 1 overall in the NFL Draft in 2000.Since 1996, Johnson’s first season with the Nittany Lions, no other Big Ten team has had as many players from one position win Big Ten Defensive Player of the Year than the five defensive ends Johnson coached.“I am really impressed with the Ohio State players. I just met a group of players, walked out of the room and thought, ‘wow,’ these are kinds of players I want to coach,” Johnson said. “They were really impressive.”Johnson, who grew up in Williamston, N.C., coached a defense that led the nation in sacks from 2005-09. He focuses on fundamentals and forming relationships with the players he coaches, according to the release.“I’m a relationship guy and I think in order to get the best out of your players you have to develop relationships,” Johnson said in a released statement. “I’m also a teacher. I like to teach the basic fundamentals of football. I want guys who are fundamentally sound and have the ability to play fast and to play relentless.”Johnson’s salary was not immediately available Wednesday evening, per OSU. The man he is replacing at OSU, Vrabel, earned a base salary of $291,004 last season, according to the USA TODAY coaches database.According to PennLive, Johnson was offered to remain as defensive line coach for the Nittany Lions by their new head coach — James Franklin — but declined.The Buckeyes are set to open their 2014 campaign Aug. 30 against Navy at M&T Bank Stadium in Baltimore.
Ohio State freshman running back J.K. Dobbins (2) runs the ball in the second half of the Ohio State-Michigan State game on Nov. 11. Ohio State won 48-3. Credit: Jack Westerheide | Photo EditorNo. 13 Ohio State (8-2, 6-1 Big Ten) rolled past Michigan State (7-3, 5-2 Big Ten) Saturday 48-3. The Buckeyes outgained the Spartans 524-195, making the Spartans’ the second-lowest total offensive output Ohio State has allowed this season with Maryland’s 66 yards marking the fewest yards allowed. Here are some important statistics from Ohio State’s win over Michigan State.3 – turnovers forced by Ohio State. Coming into this game, Ohio State hadn’t forced a turnover in its past two games. The last turnover came on an Amir Riep interception in Ohio State’s 56-14 victory against Nebraska. It hadn’t forced multiple turnovers since Oct. 7 against Maryland. Until Saturday. Michigan State quarterback Brian Lewerke threw two interceptions and fumbled the ball once. Ohio State forced 27 turnovers and intercepted 21 passes over its 13 games played and had just one game without a turnover. So far, Ohio State has only 13 turnovers over nine games and already has two games without a turnover. The inability to force turnovers has been an issue for a team that relied on that turnover ability as a key part of its success last season.2 – Michigan State tackles for loss. Ohio State imposed its will on Michigan State all night, and a big part of that came down to the dominating effort the Buckeyes’ offensive line put in against the Spartans. Michigan State was only able to break out and tackle a Buckeye ball-carrier beyond Ohio State’s line of scrimmage twice all game, and came away with zero sacks on quarterback J.T. Barrett. Ohio State lost only four yards combined on the two tackles for loss.The Spartans were only averaging 5.67 tackles for loss per game, 73rd in the nation, so they did not come into the game expecting to take the Buckeyes down frequently. But Ohio State’s offensive line was opening up holes for Ohio State’s running backs all game and provided Barrett with plenty of time to complete passes when he stood in the pocket. The offensive line for the Buckeyes has been a strong unit all season for the Buckeyes, and matched up against one of the tougher defenses of the season, it stood strong against a potent defensive line. 27 – carries between Mike Weber and J.K. Dobbins. For the first time in weeks, Ohio State had trust in its running backs. Weber and Dobbins combined for 27 carries against Michigan State Saturday and totalled 286 rushing yards for an average of 10.6 yards per carry. Weber was the only one of the two who punched a run into the end zone as he carried 47- and 82-yard rushes for scores.Before this game, Weber and Dobbins had combined for just 31 carries over the past two games. Despite finding continued success throughout the season, the dynamic running back pairing has been used sparingly since the season-opener against Indiana when Dobbins had 29 carries. Though head coach Urban Meyer said after the game it was largely the result of trying to control the flow of the game, the decision to run the ball as frequently as Ohio State did led to its most convincing offensive showing all season. If Ohio State continues to trust in Weber and Dobbins moving forward, it could continue to see dominant rush outings like it did Saturday.2 – penalties taken by Ohio State. A recurring problem for the Buckeyes throughout the season has been penalties. The Buckeyes entered the game with the fifth most penalty yards taken per game in the nation, averaging 77.2 penalty yards per game. Against the Spartans, the Buckeyes were a far more disciplined team, committing only two penalties for a combined 27 yards. One was a targeting penalty that ejected redshirt sophomore defensive tackle Dre’Mont Jones from the game. For once, Ohio State did not shoot itself in its own foot with penalties. The Buckeyes remained disciplined throughout the game outside of the aforementioned Jones’ targeting call and a pass interference call on freshman cornerback Jeffrey Okudah on Michigan State’s last drive of the game. The improved discipline out of the team helped keep the Buckeyes in the game and not give up unnecessary yardage.121 – Michigan State yards before the fourth quarter. It felt like Ohio State kept Michigan State from producing a first down all game. The Spartans had two first downs on their first drive of the game, and did not have another until about halfway through the second quarter. Michigan State’s offense produced 75 yards in the second quarter, but just 46 between the third and fourth quarters. By the time the Spartans started to rack up the offensive yardage, it was the fourth quarter, and the backups for Ohio State were all playing.The pressure consistently maintained on Lewerke throughout the game kept the Michigan State quarterback from settling in all night. The Spartans running attack was unable to get past a formidable Ohio State front-seven. Cornerback Denzel Ward made several strong plays in the secondary as did cornerback Damon Arnette, and the linebacking corps — which came with several new faces — did its job filling in for a pair of injuries. Ohio State’s defense has been what has cost Ohio State the most this season, but a strong performance Saturday to limit the Spartans should put them back in the good graces of Ohio State fans.
The German midfielder has been criticized for his performance with the German national team, but still believes he can give the team something goodFor Juventus midfielder Samy Khedira, the performance of the German national team at the 2018 FIFA World Cup is still bothering him.According to an article published by ESPN, the footballer believes he had his worst performance of his career with the national team.“After a good season and nine goals with Juventus and with full fitness, I played my two worst matches at the World Cup,” Khedira wrote on Instagram.“That was really bad. That we did not work together as a team and were eliminated in the group stage still weighs on me.”Germany finished last in their group after being defeated by Mexico and South Korea, winning in the last minute against Sweden for their only three points.Maurizio Sarri satisfied despite Juventus’ draw at Fiorentina Andrew Smyth – September 14, 2019 Maurizio Sarri was satisfied with Juventus’ performance on Saturday afternoon after finishing a tough game at Fiorentina 0-0.“It must continue to be an honor for any active player to play for this country, this association, and this team,” Khedira said.“If there are better players at the moment then I will accept it, but should I be nominated because the coach believes I can help the [team], then for me, it is always an honor and an obligation.”
Danny Drinkwater has not had a good chance at Chelsea since he joined the club since a bit over one year ago. He has only made about 12 starts for Chelsea in all tournaments and his show in the first team has only happened in the Community Shield this season.All indications show that the midfielder is in for a really hard chance at Chelsea because of the players he has to contend places with. Drinkwater will have to topple Jorginho, Mateo Kovacic, Ruben Loftus-Cheek, Ross Barkley, and Cesc Fabregas to secure a place in the Chelsea squad.The chances for a successful time at Chelsea is really thin for Drinkwater and his best options point towards leaving the club to seek game time elsewhere. There is news that Leicester City is still keeping an eye on their former player. The news is according to Daily Express, as reported by Soccer Souls.Leicester’s interest in having their midfielder back from Chelsea asks the question of whether West Ham should continue seeking a move for him come January.Premier League Betting: Match-day 5 Stuart Heath – September 14, 2019 Going into the Premier League’s match-day five with a gap already beginning to form at the top of the league. We will take a…It is obvious that the struggling West Ham needs a strong playmaker to help fortify their game in the middle of the pitch. Drinkwater appears to be a good pick for the Hammers on this issue.
Facebook0TwitterEmailPrintFriendly分享The National Weather Service in Anchorage has issued a Dense Smoke Advisory, which is in effect until 2pm Tuesday, but could be extended depending on fire behavior. Sean Baines with the National Weather Service: “Smoke will likely be dense along the highway along Cooper Landing to Sterling along the highway. Not only should be people driving be careful, but those with respiratory problems may have difficulty breathing when outside and are advised to use caution.” Interior Kenai Peninsula, including the Sterling Highway corridor from Sterling to Cooper Landing. Smoke from the Swan Lake fire will reduce visibilities to one quarter mile or less at times. A dense smoke advisory means fires will create widespread smoke, limiting visibilities. If driving, slow down, use your headlights, and leave plenty of distance ahead of you in case a sudden stop is needed. Air quality monitors have been set up near the fire area. Data from monitors in Cooper Landing can be viewed at https://tinyurl.com/y3rsbkr5. The monitor in Sterling can be found at https://tinyurl.com/y5ens5fv.